How Quarantine & Television Is Ruining Australia’s Equestrian Sports
Megan Jones, 36 at the time, rides Flowervale Maserati, a powerful horse with a dark coat. As rain begins to fall, the pair of them continue to push themselves, hoofs beating ground and throwing grass into the air.
A variety of interesting jumps have been set up; huge logs balanced over low stumps, trimmed hedges and neatly crafted wooden huts. For this moment, Megan’s entire focus is paired with her horses. Their speed and their movements counterbalance each other’s as they hurtle over obstacles.
The exhilaration of the ride drives them both forward to win the event; a trial held in Ballarat. The skill it requires of the two of them is enough to take Megan to the Olympics, where she won a silver medal in Beijing in 2008. If that skill fails, the risk is severe – with injuries and fatalities occasionally appearing in the news. While Megan has suffered from the intensities of riding (she has a stress fracture in her back that required a 12 week rest from riding), others have lost their lives in the controversially dangerous sport. It is, by any sense of the word, an extreme sport.
With so much danger, intensity, skill and tradition, what kind of an audience does equestrian riding have in Australia? SBS made news recently for scheduling coverage of some of the top international equestrian events, including jumping and eventing. It’s a break from Australia’s surprisingly reticent history of equestrian sport coverage, which rarely makes news unless in the context of the Olympics. Yet equestrian events alone make up a $362 million dollar contribution to the Australian economy, and the equestrian industry in total contributes $6 billion. World-class athletes are being trained in Australia, and a nearly $1 billion a year goes into breeding high class horses.
So why isn’t the equestrian industry covered by television programming? It has everything; excitement, interest, an existing market – there seems to be no reason why equestrian events shouldn’t be all over our screens. And there’s one big reason; quarantine.
Horses coming into Australia are required to be in quarantine for 3 weeks in their country of origin and then for another 2 – 3 weeks when then land in Australia. That’s a potential total of 42 days of quarantine. Horses going into American, as a point of comparison – require only 3 days of quarantine, and 7 days for a small selection of limited countries. Australia is already geographically distant from Europe, where horse riding is more popular, but delays like this make it near-impossible for international competition to take place in Australia.
That means Australia ends up isolated and it becomes much harder to increase the quality, value and competition of the industry. There are no five star events held in Australia, only the four star Adelaide three-day event. Australian riders can become successful; Edwina Tops-Alexander of Australia was the first person to earn over $2 million in an equestrian event. But, much like Tops-Alexander, they move overseas to a European base in order to reach that kind of success.
What Australia is doing is exporting all of our equestrian talent. We’re not completely without hope. Grand Prix rider Lone Jorgensen moved to Australia from Germany and set up base here; proving again that the country has promise in the equestrian field.
The only way to invigorate the already solid industry is to modify quarantine laws to allow more efficient imports. If we can encourage world class internationals to compete in Australia, events will grow and television coverage will follow, unlocking the potential the market already has.
The Top 10 Things That Make A Great Dressage Rider
Riding dressage is a complex, delicate and subtle thing to do. It requires discipline, effort, hard work, commitment & dedication. But it also requires an understanding of your horse and of yourself. The beauty of dressage is that the rider needs to be attentive to how their personality fits with their horse. More than any other sport or art, dressage requires deep soul searching. It’s the only way you’ll be able to ride with your horse naturally and skilfully.
But what makes a dressage rider great? When you’re trying to decode the puzzle of you and your horse, what should you be looking for? What will take you to the next level?
Communication is your top priority.
Dressage is based on a shared understanding between rider and horse, so communication is important. A great dressage rider is dedicated to understanding their horse, themselves and how they interact. Only clear communication will give you the harmony that dressage requires. It is also the foundation on which trust is built between you and your horse. If a horse doesn’t understand you, it won’t be able to work with you.
You understand that every horse is different.
Charlotte Dujardin said that figuring out a horse is the most important and enjoyable challenge of dressage riding. ‘I love getting to work out a horse, its personality, the way it thinks, its sensitivity, everything!’ she said.
A great dressage test is the result of hours and days spent trying to understand what makes your horse unique and how that effects the way you ride them.
You ride whenever you can, wherever you can.
This is one of the most important things, especially for young riders. Those who are open to experience will learn the most and become the most sophisticated riders. If you have someone who is willing to coach you at 5am, get up at 4.00am and meet them at the arena on time.
Carl Hester says it’s a balance. You have to start off taking everything you can get when you are young. Later, when you have an established career, you also need to find a way to balance riding with the rest of your life to keep yourself psychologically balanced. But you’re young and learning, you need to just want to ride, under any conditions. Take everything you can get.
You’re dedicated to improvement and knowledge.
This applies to most sports and arts. It’s a mixture of hard work, being humble and being curious. You need to dedicate yourself to learning about what you do well and what you do poorly.
Anky van Grunsven said ‘we never think we know everything. Good is never good enough. Good should be superb.’ It’s that commitment to improvement that overshadows everything else and can make the plainest riders become world class.
You know how to balance yourself mentally.
When you start to compete in high levels of competition, you’ll be putting yourself under a lot of stress and tension. The best riders know how to adjust themselves to this. In much the same way as they understand their horse, a great rider understands how they react to pressure themselves.
Some riders like to talk, tell jokes and see friends immediately before a ride. Others like to remove themselves, focus and settle. It might even be best to allow yourself to feel the pressure and tension: it’s all up to what gets you in the best state of mind when you’re in the arena.
You appreciate how lucky you are to be around horses
Steffen Peters says there are ‘many days where I poke myself and say, “This is amazing.” I wake up each and every morning with an amazing amount of energy.”
Riders of any kind love what they do. They are passionate about it and the best riders realise that all of the hard work and effort they put into dressage is a privilege. Keeping this in mind will make it easier to throw yourself into your work and do great things.
You have a love and a respect for your horses
It almost goes without saying that dressage riders have a strong emotional connection to their horses. But it often seems that dressage requires so much discipline that emotionality is edged out. This isn’t the case, the best riders never forget what their horses mean to them. Isabell Werth says that she ‘never lost my emotion and love of horses. I still feel really enthusiastic to improve young horses and bring them up to the highest level.’
Loving and respecting horses is what gets many of us working with them in the first place, and it’s an important thing to remember.
You look for insights
There will be moments when something clicks into place and you figure out what is holding you and your horse back. This is unique for each rider and each horse. Great riders are always on the lookout for insight that will allow them to work better with their horse.
Isabell Werth says that ‘you have to find the key for each horse. One horse needs to be ridden a bit lower, the next one higher. One needs more work, another needs less.’
A clear, confident understanding of yourself and your horse will lead to insights that will allow you to improve how you ride.
You spend time with your horse outside the arena.
Keeping yourself happy and healthy is an important part of keeping your life balanced. It’s equally important for your horses, who need to experience a variety of different situations and environments to keep them stimulated and keep them happy.
Jan Ebling says that trail riding is a great way of perking up his horses and keeping them happy. Varying your horses experience will keep them in a better state of mind for when they compete in the arena.
You never forget about compatibility.
In some ways, compatibility is the biggest challenge that a rider and their horse will meet. Great riders keep this in the front of their minds – they try to find a way to match their own personality to their horse so they can ride in a harmonious way and can learn and improve together.