How Charlotte Dujardin Became The No 1 Dressage Rider In The World
Charlotte Dujardin was born on the 13th of July 1985 in Enfield. She started riding at the young age of two and tried dressage for the first time aged 13. Coming from a modest background Dujardin found it difficult in the beginning competing in the dressage world. She bought her first Grand Prix horse using the money left to her from her grandmother in 2013.
In 2011 Dujardin was asked by the British Olympic rider Carl Hester to bring on a novice Dutch Warmblood gelding named Valegro. The original plan was for Hester to ride Valegro, however Dujardin was so skilled at riding him she remained riding him under Hester’s guidance.
The 2012 games in London were a shining point for Dujardin and Valegro. Here they achieved a team dressage gold and an individual gold. This year was the start of Dujardin’s amazing dressage career having competed and shone in both the Grand Prix and the Olympics.
In the following years Dujardin and Valegro’s partnership went from strength to strength. Together they collected several medals in different international competitions becoming the world’s No1. She and Valegro grew to hold every record score in the discipline, having 87.46% in Grand Prix set in 2014, 88.022% Grand Prix Special in 2012, and 94.3% in Grand Prix Freestyle in 2014.
In Rio 2016 Dujardin and Valegro continued their streak of victories. Even though Britain was unable to retain the title of the Grand Prix Special, Dujardin performed beautifully in the Grand Prix Freestyle achieving a score of 93.857%.
Currently Dujardin is working towards developing the mount that will take her to Tokyo in 2020 as she is determined to retain her position at the pinnacle of her sport.
5 Things That Affect Your Office’s First Impression
When people come to visit your office, there are a lot of things that you want to convey. The way your office is built and constructed says an enormous amount about your company and the relationship you are setting up with your guest.
If you’re looking to make an extension or build a new office, remember about the smaller things. They make a much larger contribution to the overall impression that you might realise.
The materials –
There are certain materials that are synonymous with the ugliness of offices. Don’t use brown concrete. The moment people see it, they’re going to want to turn around and run.
Find a material that sets you apart from other offices. A great option, for staying within a budget but creating an interesting building, is steel. Steel is customisable, great to design with, and looks great when coloured (it comes in colours other than beige, too!).
The location of the entry –
This has a big impact on how guests feel, though they don’t often realise it. People have different associations with entry locations. A door that is not immediately visible can make a guest feel they’re entering the wrong door, or that they are doing something that needs to be hidden.
A door in the centre of the building can convey a sense of confidence, especially if the design of the building emphasises it.
One of our clients chose to have their entrance on the corner of their building, a decision which makes the building unique and interesting.
We often don’t think about windows unless they’re out of place. It’s important to remember that guests will usually try to look into the building when the approach it. A wide, clear window that looks into the reception area is great. clearly visible to the guest can make them feel uncomfortable.
A lot of offices want their buildings to impress. Size seems to convey success and power.
For small businesses it’s often more practical to keep the office small. But for those who want to experiment and build something a little more impressive, steel is affordable enough to give you options when making decision on the size of your building.
Another thing most people aren’t aware of is how the building fits with the space it’s in. Most of the time, your guest won’t notice. It only really seems to make a difference if you get it very wrong, or very right.
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